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Movies Are Changed Since 2000

The Son starts to question the authority of his Father when his Father displays doubt that the Son is able to achieve his objectives. It is the most crucial scene in the film in which Kitai is able to refuse to obey the orders from his father. The lesson here is: If authority is not right or is oppressive, it has to be rejected by the hero to bring justice.

Son is Disobeying Father and is cut off from communication with him. He is either cast out or down. The fact that a child is cut off from communicating between the Father is an indication of being cast down from heaven. This was illustrated in a literal way when Kitai made a leap from an overhang of the waterfall, in defiance to the Father’s instructions to return to his home. The incident led to his communication with his Father to be cut off and left the Son completely alone and without guidance in a crucial stage of the mission or initiation.

Son forced to confront His Enemy (FEAR) All by Himself Fear is depicted by the Ursa one, a creature that tracks its adversaries through pheromones that are released when the victim is scared. The creature is able to detect your fear. It’s only when the Son is able to master his own self that he can conquer the fear that is within his, something that is what the Ursa creature in the film is a symbol of.

Every hero story you’ve seen or read about play out through the screens of silver inspired by the mythology of Heru. Heru is an old African God known as Neter (force or a part that is a part of the natural world) and was the model for all good rulers. It is possible to discover his exploits within “The Passion of Osiris (Ausar)” and “A Tale of Two Brothers”. These stories come for us through the ancient land of Kemet which is now known as Egypt

and For old Egyptian movies see here

In the myth of Heru’s Father, Ausar (Osiris) has been betrayed by Osiris and killed by his rival brother Set. Ausar is revived as the god of the afterlife or underworld. As an emperor, he is always seated on a throne, and decide on the fate of the ones who recently passed away. The symbolism of this is that Kitai’s Father Cipher was stuck in the ship’s chair and using the camera of the ship (spiritual eyes) as well as the communications. Link (spiritual communication) to monitor and guide Kitai[]

The throne theme is significant since it was a foreshadowing in After Earth by the soldier in a wheelchair, who came to with the general and his son. When he approached the General, the soldier announced that the General saved his life, and he demanded that he receive the honor of being “stood up,” or in Biblical terminology, “made upright”, by his fellow soldiers in order to give the proper salute for his Hero (savior). The theme would play repeatedly when the General would make the plea “stand me up”, to salute his son. This particular scene is a representation of his son “redeeming” or “saving” his father.

Returning to the mythology of Heru… After the death of his father Ausar (Osiris) is killed and his brother becomes the ruler of his kingdom Kemet and it is the responsibility of Heru and Mother Auset (Isis) to obtain Heru to the throne as the legitimate leader of the nation. Heru is required to undergo many years of training under the tutelage of his mother Auset and his Aunt Nebhet (Nephtys) and the tiny Bes who is known as the Neter of child birth happiness, war and joy. The Neter is Bes who helps Heru to become the warrior. In the film Star Wars Yoda played the role as the teacher (Bes) for Luke Skywalker (Heru).

Its emblematic symbol Heru represented the Hawk. He was frequently depicted as having wings and wearing the face or the head the bird. In the film After Earth we see the relationship between both the Hero and his Hawk during the “Leap of Faith” sequence in which the Hawk is chased by Kitai down, and then takes the soaring bird to her nest , where it will serve as the food source for her chicks. Kitai awakes to be eaten by the baby chicks. She discovers that the nest of the hawks is in danger from feline predators who are determined to eat the chicks.

Kitai helps the hawk protect the nest, but is unable to stop the predators from killing the birds’ babies.

The Hawk mourns the loss her chicks’ newborns with an angry screech and then begins following Kitai through the air, which appears to be threatening in the beginning but we learn in the future that Hawk has formed a bond with Kitai and then takes him away and shields him from cold using her own body heat to prevent Kitai from freezing. This is a clear signification of Kitai’s mythical connection with Heru the Neter(*) from Heru the Neter of Sun as well as of the Sky… The first skywalker.

After many conflicting fights and adventures Heru was able to, with the aid of his mother would eventually gain the throne from Kemet (Egypt) as well thus save his father Ausar (Osirus).

It is crucial to are aware that the story that tells the story of Ausar (Osiris) along with Heru (Horus) was told, and retold all over the globe and is available in a variety of variations. The names and characters and the events may alter however the underlying concept of the tale remains the same. It is the obligation that the son succeeds to his father as the ruler of the earth or land however only after the Son has proved his worthiness to succeed. This is why the film After Earth has a lot more to offer than is evident to the uninitiated.

There are many other instances of archetypal and mythological symbolism that is incorporated into the film After Earth that I was not able to discuss like the Mother’s role as”the “Queen of Heaven,” or the Sister as the “Spiritual Guardian” of her brother. This film is chock-full of the elements that contribute to an excellent story, and I personally believe that the tale about After Earth was masterfully told. I’m excited to see the next film not just from Will Smith and crew, but also from other Black film makers as well.